The artist's first comprehensive monograph, with specially commissioned essays, as well as numerous reproductions and, for the first time, the preparatory drawings for the films and installations.

This book provides a theoretical and critical framework to examine how contemporary art and cinema can still hold out against an experience of vision and of the “visual.”

This essay considers Deleuze's film theory on both an epistemological and historical angle and brings forward recent studies on cinema's aesthetics and philosophy.